Editing Techniques
Explore 16 editing techniques, from cut points and transitions to speed changes. Watch each one in a story clip and copy its free AI video prompt.
Cross-Cutting
Cutting back and forth between two simultaneous lines of action, so one character's attempt and the other's reaction arrive in turns.
Split Screen
The frame splits into left and right panels, putting two characters in different places on screen at the same moment.
Fast Motion
Speeding up the action squeezes a stretch of ground into a few seconds, so the gap between the runners and the cart closes fast.
Iris Transition
A circle of black closes in from the edges, drawing the eye to a doorway before the scene ends in darkness.
Long Take
An event plays out without a single cut, so the audience watches the whole process unfold in real time.
Smash Cut
Cuts with no transition from a dark, still tunnel door to a bright, crowded night market, so the contrast lands all at once.
Wipe Transition
An object crossing the frame becomes the dividing edge; once it passes, the next shot is already behind it and the action keeps moving.
Cut-In
Cuts from a wider view straight into a detail within the same scene, so the audience sees one key action clearly.
Cutaway
While the main action runs, the picture cuts briefly to another person or place outside it and back, adding a clue the audience needs.
Fade In/Out
The picture sinks to full black, then a new scene slowly brightens out of it, putting a pause between two places or times.
Jump Cut
The camera holds still while time skips ahead, so a character's position changes in an instant and repeated attempts collapse together.
Reaction Shot
Cuts from the event to the faces of the people watching it, so their expressions tell the viewer how unexpected it was.
Freeze Frame
Stops the picture dead at the decisive instant, turning the result of an action into a single image the viewer can study.
Dissolve
Fades one image out while the next fades in, with a stretch where both are visible, so time and place change smoothly.
Time-Lapse
Compresses a long stretch of change into a few seconds, so the viewer sees sky, clouds and light moving through time at a glance.
Montage
Joins short shots from different places so the viewer reads scattered images as a single moment and a single event.
