Push-In
The camera moves slowly toward the subject, narrowing the frame from the surrounding space down to a single focal point.
Push-In AI Video Prompt
Push-in: The band of light already rests on the crystal on the bottom shelf of the archive rack; where the band touches it, the pale blue light inside the crystal brightens, and then the crystal is slowly drawn away from the shelf. At the end of the segment the crystal hangs at the end of the band of light, off the shelf, and no one has touched it.
Camera Control
It opens wider: the crystal sits on a shelf of the rack on the left, the band of light reaching in from the lower left to rest on it, while MeiHua and Suseka stand in the aisle at the back right. The camera pushes steadily forward along the shelf. Around three seconds the two women slip out of the right edge, and by the later part the crystal fills the center while the boxes and background soften into blocks of color.
Keep the push at an even speed and decide the end point in advance. Here the end point is the crystal, so the camera heads straight for it and the composition holds it in the middle. Don't switch subjects or let the camera drift sideways during the move, so the audience feels its attention tightening step by step.
To build toward an object that matters to your plot, plan a slow push-in that ends on it in the storyboard, then generate the move with the AI film maker.
Story Clip
Source film EP2 Shot 1 · Alarm · 00:14–00:20
The band of light rests on the crystal on the archive shelf; the light inside the crystal grows brighter, and then it slowly lifts off the shelf without anyone touching it.
What to Watch For
Compare the first and last frames: at the start you see the whole row of shelves and the two women in the distance; at the end, only the crystal and a sliver of shelf. As the camera pushes in, the shelf lines slide out of the frame, the crystal grows and the blue light inside it brightens; in the final second it leaves the shelf and floats slightly upward.