場面調度

整合場景、服裝、道具、光線與演員位置,使畫面中的安排支持故事。

提示詞

Render only this one edited view as a single full-width scene. No side-by-side comparison or second version. Make the blocking and route unmistakably clear. Move Pi to the left foreground near the existing stone steps, still paused with one foot slightly forward and arms relaxed, looking toward the doorway. Place MeiHua farther back beside the route near the middle of the courtyard, turned slightly aside with her single original fan low so that she visibly makes room. Keep Shami at the exact same existing doorway and hand contact point, waiting for them. Leave a generous continuous gap of visible original paving that leads from beside Pi, past MeiHua, to Shami and the open doorway. Separate all three silhouettes; use their positions and attention to explain who approaches, who yields and who waits. Preserve the original relative body proportions and adjust apparent size only through real depth. Keep the exact same camera and background wall, door, bench, steps and lighting. No new set dressing, arrows, highlighted path or decorative story props.

文字:fuse 技法研究 · 示範:fuse 內部生成素材(角色 Pi + MeiHua + Shami · 背景 石板庭院與側門)

其他技法

基準圖裡,Pi、MeiHua 與 Shami 的身形聚在門口附近,動作關係較擁擠。場面調度版本把 Pi 留在近處、MeiHua 置於中間,Shami 則靠門框等待,通路更清楚。沒技法有技法

分割線會自己來回移動。把游標移上去就會停下來,這時可以自己拖。

效果對照

基準圖裡,Pi、MeiHua 與 Shami 的身形聚在門口附近,動作關係較擁擠。場面調度版本把 Pi 留在近處、MeiHua 置於中間,Shami 則靠門框等待,通路更清楚。前後站位與朝向讓三人的互動容易理解,環境也成為動作的一部分。

基準圖裡,Pi、MeiHua 與 Shami 的身形聚在門口附近,動作關係較擁擠。沒技法
場面調度版本把 Pi 留在近處、MeiHua 置於中間,Shami 則靠門框等待,通路更清楚。有技法