引導線

利用道路、邊緣和影子把視線引向重要位置。

提示詞

Render only this one edited view as a single full-width scene. No side-by-side comparison or second version. Create a clear leading-lines composition through a wider, more distant camera viewpoint aimed directly toward KaiMiren. Keep him on the exact same physical spot beside the near left doorway, holding the same journal and pen in the same pose. Pull the camera back and pan left toward him so his body is close to the horizontal center. His complete figure should occupy roughly the middle 45 percent of the image height, with his shoes around 65 to 70 percent down the frame. Reserve the bottom third of the image for a long stretch of the existing stone pavement in front of him. Use the perspective of existing pavement seams to create two clear diagonal lead-ins from the lower corners toward his shoes, and the existing left wall base to guide toward him. The lines should visibly meet the figure before the eye enters the distance. Keep the far entrance at most a narrow secondary glimpse at the far-right edge, or naturally outside this tighter horizontal direction; his unchanged rightward gaze still points toward it. Reproject the entire existing scene consistently; do not move the actor, redraw the ground, add guide lines, change architecture, introduce a new object, or alter lighting, focus, clothing or identity. Keep the camera upright.

文字:fuse 技法研究 · 示範:fuse 內部生成素材(角色 KaiMiren · 背景 連續拱廊)

其他技法

基準圖較近地觀看持筆記本的 KaiMiren,地面線條所占比例較少。引導線版本調整觀看位置,讓石縫與牆腳線從前景向人物所在位置延伸。沒技法有技法

分割線會自己來回移動。把游標移上去就會停下來,這時可以自己拖。

效果對照

基準圖較近地觀看持筆記本的 KaiMiren,地面線條所占比例較少。引導線版本調整觀看位置,讓石縫與牆腳線從前景向人物所在位置延伸。觀眾的視線能沿線條進入拱廊,最後停到人物與手中動作上。

基準圖較近地觀看持筆記本的 KaiMiren,地面線條所占比例較少。沒技法
引導線版本調整觀看位置,讓石縫與牆腳線從前景向人物所在位置延伸。有技法