Worm's-Eye View
The camera drops to ground level and looks up, so the street shrinks to a strip and the characters rise from the flagstones to fill the frame.
Worm's-Eye View AI Video Prompt
Worm's-eye view: the camera sits right down on the flagstone ground and shoots upward, so the people and lanterns look tall. Ruk deliberately knocks over a vendor's high stack of steamer baskets, and a great deal of white steam billows out; under cover of the steam, Suseka, MeiHua, White and Ruk scatter in different directions and melt into the crowd. At the end of the segment the steam is still spreading.
Camera Control
The camera rests on the flagstones at about ankle height, tilted slightly upward; the ground is only a thin band along the bottom edge and every character stands full-length above it. The camera stays put and follows no one, so the toppling baskets, the burst of steam and the characters leaving all play out from the same low position.
To get a worm's-eye view, fix the camera height in the prompt (on the ground, looking up) and keep a stretch of foreground ground visible as a height reference. The upward tilt in this clip is mild; for a stronger towering effect, ask for a steeper angle and bring the subject closer to the lens.
If a chaotic moment in your story should be seen from the ground, write the camera height and upward tilt into the shot description and build it with fuse's AI film maker.
Story Clip
Source film EP5 Shot 1 · Night Market Relay · 00:08.4–00:13
From a ground-level camera, White, Suseka, MeiHua, Biwa with the sealed box, Ruk, and Kai Miren leaning on the stone wall stand in front of a stall. Ruk walks up to the stall, the stacked steamer baskets fly off and hit the ground, and white steam pours out; MeiHua and White run off to the left, Kai leaves to the right, and the others vanish into the steam. By the end only steam and fallen baskets remain, and a lantern-hung cart rolls in from the left.
What to Watch For
The clip opens with the camera already down on the ground: the wet flagstones shrink to a band at the bottom, and everyone is seen from shoes to head above the horizon. Ruk steps up to the stall, the baskets fly up behind him and tumble toward the lens, and steam rolls across the frame from right to left. With the camera at floor level, the fallen baskets become the largest objects in the foreground, and once the characters are gone the frame holds only ground and steam.