Tilt Shot
The camera keeps its position and left-right heading and only tilts up and down, following an object that rises and falls.
Tilt Shot AI Video Prompt
Tilt shot: the camera stands at a fixed spot on the street ahead, its left–right heading also fixed, and only tilts up and down. Shami tosses the box higher; the camera follows the box's rising arc up to lantern height, then tilts down with the box as it falls. Kai sees the box coming down, reaches out to catch it and draws it back to his chest. All four states — the throw, the flight through the air, the catch and the pull-back — are visible; the two keep walking west. At the end of the segment the box is only in Kai's hands.
Camera Control
The camera stands on the street ahead of the two and neither moves nor pans; it only rotates vertically. When the box leaves Shami's hand, the camera tilts up to keep the box in the upper middle of the frame among the lantern strings, pushing the pair down to the bottom edge. As the box falls, the camera tilts back down to the original composition.
Lock the left-right heading: for a pure tilt, the lantern post on the left should only slide up and down in frame, never sideways. Let the object's highest point set how far the camera rises, and bring the tilt back down to the characters before the catch. Keep all four states in frame (throw, flight, catch, pull-in) so cause and effect read clearly.
If something in your story gets thrown up and comes back down, plan a fixed-position tilt in your storyboard and let fuse's AI film maker follow the arc.
Story Clip
Source film EP5 Shot 2 · Night Market Relay · 00:13–00:17
Shami and Kai Miren walk toward the camera along the night market's main street. Shami tosses the sealed box high; it rises to the level of the lantern strings and falls, and Kai reaches out, catches it and holds it to his chest as he keeps walking.
What to Watch For
Use the lantern post on the left as a reference. From 1.25 s the camera tilts up and the post only slides downward, never sideways; sky and lantern strings fill the frame, the box hangs in the middle, and the two shrink to the bottom edge. Around 2 s the camera starts tilting back down, at 2.5 s Kai catches the box at his side, and by 3 s it is at his chest with the framing back where it began. Throughout, the two keep walking toward the camera.