強制透視

Edit the actual selected baseline A, titled 陽光庭院中的溫柔邂逅, into exactly one finished 16:9 landscape image. This is a friendly miniature-world scale revelation. Keep the woman's world unchanged; reveal one truly gigantic original Ruk BEHIND the courtyard architecture. ACTUAL INPUT AND FIXED WORLD Use this selected A as the actual edit input. Its original courtyard and MeiHua establish the fixed world scale, composition and observer viewpoint. The original empty courtyard 陽光下的靜謐老庭院 and the actual original Ruk.png and MeiHua.png sheets are already present in this conversation as references. Ignore the previous giant-Ruk output's changed courtyard projection. Keep the selected A's camera, lens, observer height, direction, horizon, crop and frame absolutely fixed. Retain all visible buildings, walls, doorframes, left steps, bench, distant rooftops, stone paving, vegetation and lighting in their original screen positions, proportions and perspective. Visible background edges must align with A. Do not resize the buildings or the woman, reproject the background, bend lines, stretch the door, change the courtyard structure or create a different viewpoint. REMOVE THE SMALL COURTYARD RUK Remove the original small Ruk standing on the courtyard floor in the left half of A. Restore only the floor and wall pixels it had covered, using the existing adjacent stone paving and the original empty courtyard as the reference. There must be exactly ONE Ruk in the finished image. The courtyard remains an ordinary human-scale place for MeiHua. REVEAL THE GIANT BEHIND THE ARCHITECTURE Place the one enormous Ruk OUTSIDE AND BEHIND the rear courtyard wall and surrounding buildings, never standing inside the courtyard or in front of its architecture. Reveal its huge original rounded head, pointed ears and, where space permits, upper shoulders rising from behind the rear wall and roofs into the existing central sky opening. Its head alone is enormous relative to the unchanged doors, roofs and adult woman, making the viewer suddenly realize how small this world is beside it. Use the available sky space without moving or stretching any building. It is fine to show only the giant head and a little upper body; do not force a whole body into the courtyard. The existing rear wall, roofs and buildings must visibly OCCLUDE Ruk's lower body and shoulders where they overlap. Preserve these architectural silhouettes in front of Ruk exactly where they are in A. This clear depth order is essential: MeiHua and courtyard in front, unchanged architecture in the middle, huge Ruk behind. Do not show giant feet in the courtyard, a giant hand, a floating detached head, additional limbs, destruction or a creature crushing buildings. Keep the original Ruk's connected anatomy implied naturally behind the occluding walls. Preserve its actual original non-human red, off-white and blue cracked patchwork identity, broad gentle muzzle, round yellow eyes with dark pupils, original pointed ears and illustrated material design. It is a curious, kind visitor with relaxed brows, no angry grimace or threatening pose. EXACT MUTUAL GAZE Keep MeiHua's original world scale, full-body footprint, elegant adult proportions, identity, hair, pink floral ornaments, embroidered ivory robe, black-and-gold collar and waist, shoes and one black floral fan from A. Adjust only her head and eyes as needed: she gently lifts her chin and looks up and to the LEFT toward the giant's eyes behind the wall, calm and unafraid. Position Ruk's head above and to her left, gently tilting its face DOWN toward her. Direct BOTH dark pupils down and right toward MeiHua's actual eyes, with both eye directions converging on her face. Ruk must visibly look at her, not at the viewer or into empty space. Their two gaze directions must meet. Keep their exchange gentle and friendly. Keep the original sunny colors, clear illustrated rendering and exposure. No horror, disaster, attack, giant shadow over the town, toy-like woman, text, labels, comparison panels or new decorative effects. Produce this single corrected image now.