黃金比例構圖
以比例或螺旋作為安排畫面重心的參考,不是普遍有效的美感公式。
提示詞
Render only this one edited view as a single full-width scene. No side-by-side comparison or second version. Reframe the existing landing so Biwa's face sits near a proportional division around 62 percent of image width and 38 percent of image height. Let the existing curved parapet guide the eye naturally toward her. Keep the curve architectural, never a drawn spiral or mathematical overlay. This is a camera reframing of the complete selected view. Biwa remains standing at exactly the same physical spot on the same stone landing. Do not move or paste her independently across the steps. Pull the camera back modestly and shift the framing left and upward as needed, so the whole view changes coherently: the existing doorway, stair edges, curved wall and Biwa all follow one credible viewpoint. Keep her complete body, original proportions and relaxed pose readable; her head should be clearly right of center, with more room above it than in the baseline. Retain the original wall and stair topology, sunlight direction and shadow relationships. The curved parapet leads the eye toward the subject without redesigning or bending the architecture. For placement precision, the center of Biwa's face, not her chest or belt, is the focal point: place it at x=0.62 and y=0.38 measured from the upper-left image corner. A face height around y=0.30 or 0.32 is too high for this example. Keep the face within the narrow y=0.36 to 0.40 band, with her full feet comfortably inside the lower border. Achieve this by the whole camera frame placement and a modest pullback, preserving her original head angle and body posture. All stair edges, the doorway and the curve must translate and scale with the same view; never slide Biwa independently. Do not print these coordinates or add guides.
文字:fuse 技法研究 · 示範:fuse 內部生成素材(角色 Biwa · 背景 弧形階梯中庭)
其他技法

沒技法有技法分割線會自己來回移動。把游標移上去就會停下來,這時可以自己拖。
效果對照
基準圖中的 Biwa 接近階梯中央,重心較直接。黃金比例示範把人物移到偏右的比例重心,讓既有階梯與弧形扶牆在畫面中帶出迴轉路徑。視線沿曲線逐步靠近人物;此圖呈現比例與曲線的配合,畫面內不加數學格線。
沒技法
有技法


