留白/負空間
讓主體旁保留有意義的空間,用於孤立、期待或方向感。
提示詞
Render only this one edited view as a single full-width scene. No side-by-side comparison or second version. Use a clearly wider frame with Biwa smaller on the left and a broad, quiet stretch of the same empty courtyard toward the existing doorway at the right. Use only an optical zoom-out from the same viewpoint, keeping the camera level and the perspective direction unchanged. Reduce the apparent size of the entire scene uniformly as a wider lens would. Biwa should occupy about one third to two fifths of image height, with more empty paving visible around and in front of her. Keep Biwa seated on exactly the same low left step with the same head direction, hands, bent knees, face, braid and coat drape. Preserve the actual blue doorway from the selected image: its two solid wooden plank leaves, horizontal braces, dark iron ring handles, hinges and existing opening angle. These doors have NO glass panes, no little windows and no different handle design. Do not replace or swing the doors. Keep the wooden bench, wall joints, drain pipe and original tree relationship unchanged; the existing foliage remains beyond the left-side wall and no new tree trunk or planter is introduced inside the courtyard. The quiet added margins contain only credible continuations of the same plain paving and walls. Preserve the existing architecture, objects, ordinary daylight and shadows. Do not move Biwa independently against the background, rearrange the scene, add a figure or decorate the empty space. Make the emptiness, rather than new architecture, carry the visual change.
文字:fuse 技法研究 · 示範:fuse 內部生成素材(角色 Biwa · 背景 石板庭院與側門)
其他技法

沒技法有技法分割線會自己來回移動。把游標移上去就會停下來,這時可以自己拖。
效果對照
基準圖較近地呈現坐在石階旁的 Biwa,人物在畫面中占比較大。留白版本拉開取景,讓她留在左側,右邊保留大片石地、空牆與半開的門。空處成為她目光與等待的方向,人物的停頓和周圍寂靜一起被看見。
沒技法
有技法


